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The Magic of Cross-Promotion How To Do It Frugally Style

A Retrospective of the Doings at the LA Times Festival of Books

Tuesday, January 27, 2009

Book Fair Booths on a Budget and Why a Book Fair Can Be Free Advertising


Here is a "Q&A a la Ann Landers" segment from my Sharing with Writers newsletter. It it seemed like a good chance to share what a booth at a book fair will and will not do. You'll find more on the subject in The Frugal Book Promoter: How To Do What Your Publisher Won't.


Question from anonymous:

"Because I am a new author and have limited funds I wanted to get some idea of the success of authors selling their books. I know you can't tell me how many books I'd sell, but I just wanted a ball park answer. I will not hold you to this. How many books do authors usually bring?" She gives me information on her title and indicates that she does know that networking is an important aspect of a fair.

Answer :

Thank you for your inquiry. I hope you have done some reading on book marketing like Marilyn and Tom Ross's The Complete Guide to Self-Publishing, John Kremer's 1001 Ways to Market Your Books and, of course, mine. If not, you may come to a fair with unrealistic expectations. I can’t write you another full chapter (there is one in The Frugal Book Promoter) , of course, but I thank you for giving me a chance to explain what book fairs do and do not do.

Fairs are not really about book sales at the fair. They are about branding you as an author to begin that trek toward a career in writing. So, you pick a great fair with a great booth (Note the traffic at our booth which is in a prime spot because we have had a booth for several years and worked up to one near the food court!). YOu want a booth that offers cross-promotional benefits (one where all the authors are really expected to market the booth). You promote like crazy. You use invitations and media releases, etc. to get exposure. You use the fair to get credibility because you're associated with a prestigious fair. You use the fair and all the promotion you do for it to get lots of free publicity. And, you put your finger on it: You use it to network with other authors and with the people who come by the booth. And to learn. And, yes, you will sell some books.

I know that is not really what you asked but I feel I must preface with that. Keep in mind that your readers and prospective readers will be impressed that you are signing at the fair. Few have any idea that there is a difference between signing in the booth and being the star of the entire fair.

As to your numbers question: I have seen writers sell as few as two books (it was one that cost $49.95 and the author sent out no invitations or media releases--though she did get asked to be on a radio show when she was in the booth). I have seen others who sell upwards of 40 in an hour and have lines waiting for them to sign and author Raff Ellis recently wrote to say he had sold as many as 60.

Here are the influencing factors:

~New books sell better than ones that have been around a long time and that the author has exhausted her personal contacts for sales.
~Generally speaking nonfiction how-to type books sell better than some other kinds.
~Those who market and publicize will sell more books than those who don't. (Don't forget Christine Alexanians and I provide templates for these promotions when people participate in our booth at the UCLA Festival of Books--we don’t just turn you loose and say “Do it”).
~Authors who have developed person-to-person sales skills sell their books better than those who are shy.
~Authors who use a great book fair as one aspect of an ongoing promotion campaign do better than those who just try a book fair, then something else a few months later. The secret is to make it part of an overall branding campaign.
~Authors who sign at book stores in cities or towns where they already have lots of relatives, friends or business contacts sell more books than those who jump into a new pond, though there is a certain value to developing new contacts in a new area!

Most of us authors have limited funds. And those that do have a lot of money still should not spend huge amounts on a campaign. There is never a guarantee that any advertising or marketing expense will break you even or make you money and that is true in ALL advertising campaigns. There are just so many variables.

These are all reasons why a coop booth works better than going it on your own (these booths--unlike some small book fairs--are very expensive!) and why a booth at a respected and well-attended fair (in a highly-trafficked area) is more effective than most other booth situations. See some of the other benefits of our booth on this blog. Just scroll down for the most recent entries.

I hope this isn't more than you wanted to know or is confusing because there is so much. I do urge you again to read a good book on book promotion--mine or someone else's. That will help you pick and choose the best possible promotions for your personality and your pocketbook. And do know that you will have to spend some money, of course, but that you can run a really good campaign on a very small budget.

And last, here is my history and the numbers of books I bring to fairs:

~Poetry and short story collections first year, I brought 10. I was lucky to sell three. But I got other poetry readings every time. Places I didn’t know about before the fair.

~First release nonfiction how-to: I brough about 40 to 60. Over the years, probably 25 is an average sales number. After the book has been out awhile, I bring 20. And at the point sales can be very erratic.

~My novel This Is the Place: First year I sold about 20 and after that anywhere from 2 to 6. At a book fair in Utah where I spoke and sold books, I sold about 55. That was becasue I both had a group of supporters there (I was raised there), because I spoke (not just signed), and because the book is set in Salt Lake City.

This year I'll be introducing a how-to book in an entirely new area, business/retailing. I am just as curious as you are about your book to know how it will do. (-: And I'm always hoping for one lucky break. A catalog or corporate sale. A teacher who wants to recommend my book for his UCLA class. And at the fair in Los Angeles, maybe even a director or producer.

The more important fact is that because of continued promotion, my writing career is thriving and I don't spend much and I'm really loving it.

Now, here’s the kicker. If you can break even, you’ve figured out a way to advertise free and get more marketing education (from Christine and me) in the process.

For cost, participation details, and benefits of a cross-promotional booth like this, please see the next entry in this blog. You'll also find a picture of booth-doings there. To participate send an e-mail to Christine Alexanians at chalexwrite @ yahoo.com. She will invoice you for PayPal or give you an address to send a check. Please put "LA Times Fair" in the subject line and please let her know whether you would like to sign one or two days so she will know how to bill you.

Sorry but all display-only slots are sold out. We have only signing positions available.

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Blogging by Carolyn Howard-Johnson. Learn more at Carolyn's website, www.howtodoitfrugally.com. Her blogs are also content-laden:
www.thefrugaleditor.blogspot.com
and a Writer's Digest Top 101 Website:
www.sharingwithwriters.blogspot.com

And the New Book Review is at your service: www.thenewbookreview.blogspot.com. (Follow the submission guidelines in the left column!)

Friday, January 9, 2009

Come Cross-Promote at the LA Times Festival of Books


Christine Alexanians is handling our booth this year. Here is what she plans and the details for participating:

Come Join Us as a Participating Author at the LA Times Festival of Books
The following is the planned 2009 program:

You are invited to participate in our next LA Times/UCLA Festival of Books booth--the last weekend of April 2009--and/or any of the value-added programs aligned with the fair. The book-signing portion of the fair requires that you attend, the others do not.

(To see the 2008 video made by Rey Ybarra, go to Best Selling Author Television site

http://www.veoh.com/channels/BSATV)

Our group of authors will again be sponsoring a booth at the LA Times/UCLA Festival of Books on April 25, and 26, 2009. We focus on making a humdrum fair into a sizzling success and from past experience, we make changes every year based on what we learned the year before and the year before that.

One hour (50 minutes to allow set up) signing segments cost $150 for the first and $100 for the second day. The fee includes display in the booth for the full two days.

Last year we had our booth televised on the Internet. Rey Ybarra from Best Selling Author Television was there to cover the event. He conducted short three-minute interviews with the participating authors. The program proved to be a great success.

The advantages of our LA Times Booth:

1. Ongoing education on PR and promotion for participants during the planning of the booth.
2. Value-added promotions designed to draw readers to our booth (more to come on these later.)
3. Cross promotion benefits of many participating authors rather than of only a few.
4. Excellent location at the fair for a fraction of the cost of an individual booth.
5. Association with other authors with recognized names.
6. A stable booth position/location with an established history among return visitors to the fair.
7. A booth with double the usual frontage of most (depending on participation).
8. Assorted ways to participate, some available to authors who don't live in the area.
9. A limited number of books and authors accepted to increase visibility.

10. Display of the books of signing authors for the full two days of the fair.
11. Display of your poster for the full two days of the fair.

12. Exposure of your name and book's title on our blogs.
13. Your book listed on an Amazon Listmania.
14. The credibility of being associated with a well-planned booth sponsored by professionals.

15. Associated value-added promotion like our catalog for booksellers, our video special, our tote program, our slide show and our gift with purchase help attract interest in the booth, help encourage sales, and help us keep cross-promotional efforts going long after the fair.

WHAT'S NEW In 2009


~Poetry reading

~Story time for kids

~Promotional Tote Bags



We are planning to have a poetry-reading hour and a children¢s story reading hour in the afternoon slots. The cost will be $35.00 for a 15 minutes-reading time. This is new and details will be provided in the subsequent issues.


DISPLAY:


Books on display will be shown on a bookstand, not tossed into a bin with hundreds of others. There is room near each participant's book to have a flier 4 x 5 3/4 and, to give away bookmarks or business cards--any two of the three. Each author may also supply laminated signs with grommets to be hung around the perimeter of the booth. Note: We are not offering display to anyone not signing this year. All books on display will be those of signing authors.



SALES

No books will be sold out of the booth except by signing authors at the time of their signing. Books will be displayed with order forms when they are not signing. (See above.).



BLOG

Our fair-focused blog is open to all. It further exposes our participants' books. We use the blog as a kind of journal of our experiences and the blog comments as a way to share promotion ideas and ask questions. It is an ideal way to keep a record but also to share with other writers who might be planning a fair booth elsewhere.
We also offer a free review blog (www.TheNewBookReview.blogspot.com) where participants can have their favorite reviews (with permission from the reviewer) posted.


SIGNING SEGMENTS AT THE FAIR

Local authors or authors willing to travel may purchase one hour (50 minutes to allow set up) segments of signing time. Signings will be posted in the booth (Sorry, but the LA Times Festival of Books administration does not provide a way to list multiple authors in the brochures, etc. that the LA Times sends out. Thus signing authors will be responsible for their own promotions including media releases and invitations to drive traffic to their signing. In fact, for everyone to benefit we will ask for a pledge that each of them will do so.)

One hour (50 minutes to allow set up) signing segments cost $150 for the first and $100 for a second hour. The fee includes display in the booth for the full two days. If you choose to sign, we strongly recommend that participants consider the stands and banners we tested last year to make their signing times a standout. All signing positions are available on a first-come, first-served basis. We have had authors with books traditionally published as well as subsidy- and self-published. We only ask that no one with pornographic material apply because we are located near the children's section and sometimes have children's authors as signers.



Training:

It is our policy to supply ideas for book fair promotion as well as to lead our participants through the process. We begin early. Many find this an educational experience equivalent to taking an expensive class in promotion.


Disposal of Fair Materials:

Books and promotion materials will not be returned. Display books will be donated to a library after the fair. If you don¢t want to donate your books, please pick them up Sunday afternoon.


Other terms:

Because of the training process and because we must pay our expenses early, fees must be paid upon signing and cannot be refunded. There are also no refunds for natural or unnatural disasters and, yes, that includes rain. (The festival Administration doesn't refund our fee.) We've never had rain yet. This is sunny Southern California!

An author must participate in the signing segment to actually sell books. They sell their own books in our booth only during their signing time and handle their own sales (or bring an assistant to do that for them.)



PAYMENT

To participate send an e-mail to Christine Alexanians at chalexwrite@yahoo.com. She can invoice you for PayPal or give you an address to send a check. Please put "LA Times Fair" in the subject line and please let her know the programs you would like to participate in so she will know how to bill you. She will then send you details for participation and answer other questions regarding this show. The booth promotion will be handled by Christine and Carolyn Howard-Johnson.
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Blogging by Carolyn Howard-Johnson. Learn more at Carolyn's website, www.howtodoitfrugally.com. Her blogs are also content-laden:
www.thefrugaleditor.blogspot.com
and a Writer's Digest Top 101 Website:
www.sharingwithwriters.blogspot.com

And the New Book Review is at your service: www.thenewbookreview.blogspot.com. (Follow the submission guidelines in the left column!)

Thursday, August 14, 2008

Early Bird Signing Opportunity for LA Times/UCLA Festival of Books

Please join the HowToDoItFrugally authors as a signing author at at the LA Times Festival of Books on the beautiful UCLA campus now and get a substantial discount!

The fair is the last weekend of April 2009. The book-signing portion of the fair requires that you attend but other value-added promotions do not. You'll hear more about those later.

This is the fifth year this booth has been available at the LA Times/UCLA Festival of Books to cross promote. We focus on making a humdrum fair into a sizzling success; we make changes every year based on what we learned the year before and the year before that.

Register before September 16 and receive an early bird discount for the signing slots. One hour signing segments (50 minutes to allow set up) cost $100 for the first and $80 for a second hour. After August 15, the fee will return to its regular $150 for the first and $100 for the second day. The fee includes display of your book, your order forms and your bookmark or business card and a poster for the full two days.

Last year we had our booth televised on the Internet. Rey Ybarra from Best Selling Author Television was there to cover the event. He conducted short three-minute interviews with the participating authors. The program proved to be a great success. Rey will be there with his crew again this year. (To see the 2008 video made by Rey Ybarra, go to Best Selling Author Television site at : http://www.veoh.com/channels/BSATV

For benefits offered by this booth please visit www.howtodoitfrugally.com or e-mail Christine Alexanians at chalexwrite@yahoo.com.


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Blogging by Carolyn Howard-Johnson,
Learn more at Carolyn's website, www.howtodoitfrugally.com. Her blogs are also content-laden:
www.thefrugaleditor.blogspot.com
and a Writer's Digest Top 101 Website:
www.sharingwithwriters.blogspot.com

And the New Book Review is at your service: www.thenewbookreview.blogspot.com. (Follow the submission guidelines in the left column!)

Wednesday, June 25, 2008

Free Teleseminar for Genealogists, Journalists and Storytellers Everywhere!

I want to remind you that publisher Patrika Vaughn, talented Toastmaster award-winner Allyn Evans and I are teaming up to present a free teleseminar to writers who want to tell their own stories, as memoir or as fiction. Thus it is for genealogists, journalers and story tellers everywhere. It is titled "How To Write Your Life Story."

I'll share my experience turning my family's genealogy and stories into my award-winning novel This Is the Place and how I used the leftover stories from that effort in a book of creative nonfiction short stories, Harkening: A Collection of Stories Remembered. I hope my experiences will inform those inclined to publish their stories but who need more information about how that might come to be. I even used family memories in my chapbook of poetry, Tracings.

Patrika is author of How to Write Your Own Life Story or Your Family's Saga available as a CD set. She will talk about how to turn this material into a book, covering:

1) why you should write it

2) how to go about it (even if you've never before written anything but emails)

3) how to make it interesting to others


The teleseminar will be moderated by Allyn who is also the author of Grab the Queen Power: Live Your Best Life, based on her own experiences.


Writers are invited to listen and come prepared with their questions at noon on July 12th EST . Call 1-218-936-7999. When prompted use this access code: 390175. If asked participants may need this pin number: 2823.

The teleconference will be available as a podcast afterward at :

Authors' Coalition, www.authorscoalitionandredenginepress/podcasts_&_radio.htm
The ACapella Publishing site, www.acapella.com/
Allyn Evans' site, www.allynevans.com
On Allyn's Queen Power site, www.queeenpower.com .
And on Carolyn's Resources for Writers page at www.howtodoitfrugally.com

Those with questions may contact Patrika at acappub@aol.com

The seminar is offered as a service to the writing community through the auspices of Authors' Coalition (www.authorscoalitionandredenginepress.com) and Vaughn's publishing firm, A Cappela Publishing (www.acapella.com).

We three would love it if you could (or would!) pass this information to your fellow writers. How about your fellow critiquers and writing club members? (-:
h
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Carolyn Howard-Johnson, author THIS IS THE PLACE; HARKENING: A COLLECTION OF STORIES REMEMBERED; TRACINGS, a chapbook of poetry; and two how to books, THE FRUGAL BOOK PROMOTER: HOW TO DO WHAT YOUR PUBLISHER WON'T; and THE FRUGAL EDITOR: PUT YOUR BEST BOOK FORWARD TO AVOID HUMILIATION AND ENSURE SUCCESS.
Her other blogs include TheNewBookReview.blogspot.com and AuthorsCoalition.blogspot.com, a blog that helps writers and publishers turn a ho-hum book fair booth into a sizzler.
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Blogging by Carolyn Howard-Johnson, founder of Authors' Coalition (www.authorscoalitionandredenginepress.com). Learn more at both the AC site and Carolyn's website, www.howtodoitfrugally.com and her blogs:
www.thefrugaleditor.blogspot.com
www.sharingwithwriters.blogspot.com

Friday, May 23, 2008

AC Member Pam Kelly Sets Promotion Example for Us All

Authors' Coalition thank yous go to Pam Kelly for putting the Authors' Coalition (and my guest appearance at her class) front and center on her blog. http://www.pkellycom.blogspot.com/.

Her blog is a perfect place to see some shots of fair happenings at our booth (the videos with Rey Ybarra at our booth, shots with Annette Fix, (a fellow Authors' Coalition booth participant) and Book Publicists of Southern California (BPSC) leader, Irwin Zucker, plus notes on the way she used a drawing (and promoted it!) during her signing time and, of course, the beautiful set-up for her table during her signing time. Her passion shows through, of course, (She wrote Speak with Passion! Speak with Power!) but her promotion details set an example for us all.

Just a quick note on the Authors' Coalition catalog that goes out to booksellers, too. Mindy Laurence is sending copies to bookstore buyers. Both in her hometown and that of her PR client, Dr. Dan Skelton.


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Blogging by Carolyn Howard-Johnson, founder of Authors' Coalition (www.authorscoalitionandredenginepress.com). Learn more at both the AC site and Carolyn's website, www.howtodoitfrugally.com and her blogs:
www.thefrugaleditor.blogspot.com
www.sharingwithwriters.blogspot.com

Saturday, May 3, 2008

Q&A a la Ann Landers: Is a Book Fair Booth Signing Worth It?

Below you'll find a question from one of our booth participants that turned into my annual report of book fair booth do's, don't's, pro's, con's and marketing secrets:

Question: It would appear, from my short stop at the tent [at the LA Times Festival of Books], that no one made enough sales to break even. If that is true, an analysis would determine if it is worthwhile.


Answer: Thank you. This is a perfect way for me to focus that fair report that I promised those who participated in our booth. Questions and answers are always better than a plain old report. (-:

I can't remember exactly when you came onto the scene in our little book fair process. I say over and over again (in my newsletter, on my website, even in my book and on this blog that fairs are NOT about book sales but about exposure. The chance to send out invitations, releases, etc. and align oneself with the name of a fair as prestigious as the LA Times/UCLA Festival of Books. It is prestigious not only because of its size and its own association with names like the Times and UCLA but also because the general reader assumes that if you're signing at the fair in any capacity, that's a big deal.

I. E. book fairs are about opportunity, not sales. That is why all our AC booth participants receive e-mails from me over and over again. They include templates for releases, for fliers, for invitations and tons of stuff on the basics of marketing in general and marketing book fair appearances in particular.

Having said that, I can't think of one book promotion in the ten years I've been doing it that "pays for itself." For one thing, except for a book fair, it's rare if we know exactly how many book sales to assign to a particular effort. Even a fair can't really be measured this way. Did people go home and buy a book online, as an example? Did they do it Monday? Will they do it Wednesday after the fair? Will they do it when they see you or your title again in the newspapers or on the WEB next week?

Marketing is cumulative. Marketing is about "Persistency over time" and "frequency." Those words are my marketing mantras.

A fair is also about networking. As are many speaking engagements (where one also may sell quite a few books and sometimes, may not).

So, I think the question to be asking ourselves here is not if anyone sold enough to cover their expenses (if you count my time billed out at minimum wage, I certainly didn't and haven't for the last six years!) But instead each person who signs at a fair should ask themselves:

1. How much did you learn?

2. What would you do differently next time?

3. Did you participate in any of the value-added promotions offered by your booth planners or produce any of your own? Did you do your basic marketing? Those releases and invitations?

4. Are you using what I'm sending you after the fair for follow-up publicity. And are you assigning a value to that (not in book sales--again, that's too hard to trace -- but in what you would pay for advertising space equivalent to what you got either on the Web or in your hometown newspaper?)

5. Did you make an important contact for your future career at the fair. A publisher? Editor? Bookstore buyer? A writing club? Editor? etc.

6. Did you collect names for your contact list? That's important so that the next time you will have more people to invite.

7. Did you use your participation as a featured author in your other promotion? Your website? Your blog? Your newsletter? (It is not too late!)

In other words, did you play this fair (or any other fair or book signing or event) for all it can do for you?

For those of you who participated in the catalog only, the principles I've mentioned apply to that kind of promotion, too. Did you supply book buyers' names as asked? Are you following up with that list to talk to booksellers about the catalog? Are you sending them another catalog or media kit or sell sheet now that the catalog has been delivered? Perhaps with a handwritten note attached pointing your book out as one written by a local author.

By the way, did you know that big marketers think any campaign is HUGE if they get 7% of results. That means if they send out 100 postcards, they feel very fortunate to get responses (even nonbuying responses) on seven of them.)

So, to answer this question. Those of you who prefer to evaluate your book fair may certainly find that it didn't pay for itself. Of course, much depends on your royalty/profit margin on your books. Much will also depend on the kind of book you have. Generally, as an example, nonfiction books sell better than fiction. It's the nature of the game. That is true across the board in the world of publishing.

I saw people in our booth sell from two books to about 12 in an hour (the higher number is a guess because I obviously can't count everyone's sales when I'm busy.) And I would welcome figures from you all. I also saw many visitors ask authors for their signatures on posters, ask to pose for photos, etc., and I believe that those with signs that made passers-by immediately aware they were authors, saw more of this kind of action than others. That may not seem like a calculable benefit to some, but I sure think it adds to the fun. And those pictures can end up on Facebook, blogs and more. Especially if you had good signs and/or remembered to grab a copy of your book and hold it face out for the camera!

If enough of you volunteer to give out your sales, I will be happy to post that. I'd also like you to briefly enumerate what you did to promote your appearance before the fair.

Here are just a couple of additional items to report. We had three volunteers who handed out fliers and bookmarks and many authors brought their own volunteers who were generous about handing out materials for authors other than the author they came with. Yes, I often asked them to do that. Ha! Our books were on display individually (something few booths do) and well lighted, also a book fair booth rarity.

If any of you have anything to add to this, suggestions for next year or things I missed, please use the comment butt on this blog.

What have you found effective in the book fairs you've participated in? Please share here by using the comment link below!
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Blogging by Carolyn Howard-Johnson, founder of Authors' Coalition (www.authorscoalitionandredenginepress.com). Learn more at both the AC site and Carolyn's website, www.howtodoitfrugally.com and her blogs:
www.thefrugaleditor.blogspot.com
www.sharingwithwriters.blogspot.com

Thursday, May 1, 2008

Booth Participant Sends Valued Suggestion

This suggestions was offered from one of the authors signing at this year's Authors' Coalition booth. I have long encouraged authors to bring help but usually to run errands, help take money, etc. Maybe we need two helpers. Here is the suggestions from David H. Jones:
Hi Carolyn,

Dian and I thoroughly enjoyed our time in the Authors' Coalition booth on both days at the LA Times Festival of Books.

It was a delight meeting you and all of the other good folks involved
with Authors' Coalition. Thank you for having us.

One thing that was very apparent to me during my two stints at book
signing was the importance of having an assistant out front of the
booth handing out bookmarks for my book, Two Brothers: One North, One South. Dian was able to steer a number of people to the table. Almost all of them bought a book and
had it autographed.

Visitors to the Book Fair become so visually overloaded as they walk
past a multitude of interesting booths that many who would otherwise
stop, simply go by without taking notice of our presence or signage.

I highly recommend that author's bring someone to fulfill that
function during a crowded event . . . it makes all the difference in
the world.

Cordially,

David

David H. Jones
Author of Two Brothers: One North, One South
www.davidhjones.net
http://davidhjones.net/blog/


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Blogging by Carolyn Howard-Johnson, founder of Authors' Coalition (www.authorscoalitionandredenginepress.com). Learn more at both the AC site and Carolyn's website, www.howtodoitfrugally.com and her blogs:
www.thefrugaleditor.blogspot.com
www.sharingwithwriters.blogspot.com